after the flood

Plywood, hardwood, non-reflective glass, paint. LED system with aluminum armature, light modulated using photographic transparency, lighting gels and optics.
63×11×10 in

 


swarm

Plywood, hardwood, non-reflective glass, paint. LED system with aluminum armature, light modulated using photographic transparency, lighting gels and optics.
63×11×10 in

compulsion high

Plywood, hardwood, non-reflective glass, paint. LED system with aluminum armature, light modulated using photographic transparency, lighting gels and optics.
63×11×10 in


bedroom window

Plywood, hardwood, paint, LED system with aluminum armature, light modulated using photographic transparency onto wall.
61×15×12 in

billy name

Plywood, hardwood, paint, LED system, light modulated using photographic transparency onto wall.
61×15×12 in

it could have been better

Plywood, hardwood, paint, LED system, light modulated using photographic transparency onto wall.
61×15×12 in

Photos by Anna Pacheco

My work investigates the unstable relationship between direct experience and the systems through which experience becomes legible. Using pared down architectural structures, controlled apertures, light, and indexical traces, the installations withhold complete visual access. Light emanating from portals must be investigated from various angles, making viewing durational and participatory. The form and scale reflect the body; the exterior mimics a mass-produced object. Images are generated in real time as light passes through altered prints and hidden optical systems, white light split and modulated into its spectrum. A spider web becomes a readymade, and honey in sealed glass marks the foraging paths of thousands of bees, rendered inedible. The work draws attention to active perception and the frameworks through which seeing becomes meaning.